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“Smoke”
“Alice”
“Der Stadtklingone” (The City Klingon)
“Furioso”
“Hey Diddle Diddle..”
“The Sorcerer”
“Das Auge” (The Eye)
“Hirnwald”
“The Abyss”
“Q.E.D.”
“The Gatlings”
“The Toy General”
“Seinsgeweide” (Intestines of Being)
“Der Besucher” (The Visitor)
“Nocturno”
“The Future of the Past”
“Sky”
“Indian Country”
“Der Geometer” (The Geometer)
“My Sentimental Robot”
“Creatures(Triptych)”
“Nightly Faces”
“Anderwelt” (Other World)
“The Critic:Risking an Eye”
“Fischtraum” (Dream of the Fish)
“Der Poet” (The Poet)
“Palaeobionics”
“In Vino”
“Evolution”
“Japanischer Winter” (Japanese Winter)
“Man Made”
“Seeing”
“Indian Country”
“Indian Country”
„Indian Country“ was created Jan./Feb. 2005. Book series, all 3 prints: Special Price 1300€  Print: Piezo-Print on Somerset Velvet Size: Paper: 56x76 cm, Picture: 34x50 cm Copies: 25, numbered and signed, and 5 artist's copies (I-V) Price: 575.‒ Euros Artist: Björn Dämpfling
The production history of these images is documented in every detail in the book: Joseph Nalven and JD Jarvis, „Going Digital:The Practice and Vision of Digital Artists”, Boston 2005, Thomson Course Technology PTR, ISBN 1-59200-918-2 For all 17 artists in the book three „seed images“ were the common starting point and this was the only photo material allowed to use. How many images, with which methods or other own materials the artists would make, was completely up to them. This freedom, skipping any “thematic” demand made my participation possible, though I was rather skeptical at first. „Indian Country" is a collage of one photo and an old, finished paper drawing that was digitally restored and inversed (like a photographic negative).
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