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“Not from Mont Pèlerin”
“42”
“Turkey”
“Predator”
“Siegfried”
“Der Sturz” (The Fall)
“Die Lösung” (The Solution)
“Drei” (Three)
“Dschungel” (Jungle)
“Kreidezeit” (Chalk Age)
“Leise” (Piano)
“Crispr”
“E-Werk”
“Beauty of the Beast”
“Chelsea Art Fairy”
“Hide-and-Seek”
“Farbnacht” (Night of Colors)
“Freaks”
“Harry”
“Der Ratgeber” (The Adviser)
“The Next”
“Il Principe”
“Let's Dance”
“Die Kitschpantoffeln” (The Kitschy Slippers)
“Großer Reformat” (The Big Reform Machine)
“Charlie's Empire”
“Wolkenburger Wäscheleinen” (Cloud Castle’s Clothes Lines)
“Wolken Malen” (Painting Clouds)
“Wolkenburger Land” (Cloud Castle’s Countryside)
“Captain”
“Night”
“Die Sächsinnen” (Saxonian Ladies)
“Der Schlangenprinz” (The Snake Prince)
“In the Year 2026”
“Making Nature”
“Wiener Mut” (Courageous Vienna)
“Jugend” (Youth)
“Erich”
“Self”
“Totem”
“Jugend” (Youth)
“Jugend” (Youth)
"Jugend" ("Youth") was created 50% on Paper (1981) and 50% using only „Painter“ (Metacreations) June/July 1999.  Print: Piezo-Print on Somerset Velvet Size: Paper: 40x30 cm, Picture: 35x24 cm Copies: 25, numbered and signed, and 5 artist's copies (I-V) Price: 400.‒ Euros Artist: Björn Dämpfling
In 1983 for my sister’s birthday I did a drawing in A5 size with pencil and color pens that weren’t, as usual for me at that time, the slightest bit non-fade. So about half of the image was gone, when I scanned this drawing in 1999 and working for two months finished the resulting hybrid. Taking the digital way of art production seriously, looking for the essence of it, which lies in the added degrees of freedom in combining the visual aesthetics of any material, “Hybrids” are not steps to “pure” digital works but represent indeed a higher level, a new visual unity limited of course by the nature of possible output media, be this a computer monitor or a digital print. The title “Jugend” (Youth) was given in 1999 to the digital print.
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