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“Not from Mont Pèlerin”
“42”
“Turkey”
“Predator”
“Siegfried”
“Der Sturz” (The Fall)
“Die Lösung” (The Solution)
“Drei” (Three)
“Dschungel” (Jungle)
“Kreidezeit” (Chalk Age)
“Leise” (Piano)
“Crispr”
“E-Werk”
“Beauty of the Beast”
“Chelsea Art Fairy”
“Hide-and-Seek”
“Farbnacht” (Night of Colors)
“Freaks”
“Harry”
“Der Ratgeber” (The Adviser)
“The Next”
“Il Principe”
“Let's Dance”
“Die Kitschpantoffeln” (The Kitschy Slippers)
“Großer Reformat” (The Big Reform Machine)
“Charlie's Empire”
“Wolkenburger Wäscheleinen” (Cloud Castle’s Clothes Lines)
“Wolken Malen” (Painting Clouds)
“Wolkenburger Land” (Cloud Castle’s Countryside)
“Captain”
“Night”
“Die Sächsinnen” (Saxonian Ladies)
“Der Schlangenprinz” (The Snake Prince)
“In the Year 2026”
“Making Nature”
“Wiener Mut” (Courageous Vienna)
“Jugend” (Youth)
“Erich”
“Self”
“Totem”
“Self”
“Self”
"Self" was created 50% on paper (ballpoint pen, early 70s) and 50% using "Painter" (Metacreations), Mar./Apr. 2005  Print: Piezo-Print on Somerset Velvet Size: Paper: 40x40 cm, Picture: 31x28 cm Copies: 25, numbered and signed, and 5 artist's copies (I-V) Price: 300.‒ Euros Artist: Björn Dämpfling
It’s not by chance that another version of this head can be found on the starting page of Creative Creatures. While in the other version—a ballpoint pen drawing in blue and black—the head is lacking its skullcap, its lid if you will, I changed that for the small version on my starting page. When I had scanned the paper sketch I was determined to create a completely hybrid work, inseparably intertwining the work on paper with the parts done with the PC with the same drawing technique, so that in the end a complete skull would result, preserving its original character and at the same time creating a new whole. As much of a grey bony skull as this head may be, I always see it as an essentially calm and friendly figure, as grotesque as it is relaxed, with sadness and pain in the back of the head, and contradictions between its ears, as well. But all in all it is laidback and looking forward. The minimal use of color is well embedded in the structured grey of the background, so no further visual relations need to be created.